![]() Listen closely and you'll hear a Beatle at the songs end just after the crying baby. It felt like a blessing on our project and we kept it in. Richard, my producer, replied with a grin, "He just said you could!" ![]() "Is that who I think it is?" I said and played it again, yup, John Lennon. Big Ben's chime,' a baby crying, a crowd cheering and then I play the highest key and hear a voice say, "I don't mind where it comes from, you know, as long as it's there." Everyone in the studio froze and looked at me. Guitar 1: Use a whole-note length echo, with flanging. So, I'm going through each rack, playing each note to hear the different samples when I get to the last rack and the last octave. E-mail me at nigelolympustinet.ie - Notes - Both guitars tune all strings down a semitone. (Google 'mellotron' now to see what I mean). I discovered a bunch of mellotron racks in the studios basement and I asked if I could go through them. I have a small stereo at my desk that is iPod capable, and I work 9 hours straight each day, and that helps keep me level through the day. Day Without Me was a monster of a song to mix (I'd STILL like to redo parts of it!) and so there was a lot of time in the studio where I had nothing to do while the engineer cleaned tracks and did those little thing engineers do. One of the first songs that you recorded with U2, A Day Without Me, was about a friend's suicide. We were utilizing the mellotron at Magic Shop the Soho recording studio where the album was made particularly for the clarinet line in Ain't It The Most. You have often evoked theidea of suicide in your lyrics. Too much to talk about here but I'll give away one secret now for my Bandcampers.beyond the title and epic quality that harkens to the closing track on Sgt.Peppers there's a further Lennon connection.
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